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Waiting on Me to Catch Up

Posted on July 6, 2015 by Heloise Jones
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Are you ready at a cellular level
for the fact that
you can not change the course
of all that has been set in motion
long before you even knew about motion
or had met the course
but now your heart has had its recognition
and as the river moves forward
the realization hits that your heart has already
grabbed hold, when you weren’t looking. . .
waiting for you to catch up
~ Kathryn Schuth
Are You Ready

Buddha hand w_heart

*

Just out of the solidity of immersion in a completed work I’m fully familiar with, I’m not ready to step back onto steep learning curves or dive out into air, which is what it often feels like before pieces of the Vision coalesce in the world. So I’m taking you to my (once) home in Asheville, when I was writing a novel.

First, pause a moment at the top of the Charlotte St. ramp, gaze upon the gray, blue, purple waves of the Blue Ridge. When done with awe, turn away from the downtown skyline, drive past the gas station and Starbucks on through the remnants of a neighborhood where signs and parking spaces squeeze amongst the trees beside large and small homes. When you get to the tiny rock house on the left that once housed the art museum, see the rock wall with pillars like giant beehives, the park beyond with genteel old homes on its far border, turn right. Go past the 10’ tall crucifix and stark white Jesus on the corner, the miniature Spartan cathedral behind it. Wind up through the narrow lane chiseled from a broad boulevard by plump medians and painted lines. Past stately residences with lawns and hedges. Past condos where the view of the valley and mountains beyond are the sole possession of empty rooms, saved for a few human eyes now and then. Past the entrance to the huge rock edifice and red roof reminiscent of a cottage gone crazy on steroids, to where the road veers right up into trees promising wilderness. Here the bank drops to a deep overgrown ravine on the left, and driveways snake up the hillside on the right. Turn at the second left, curve and coast down through a procession of remodeled 50’s ranchers. At the yellow mailbox beside wintering plants, turn toward the house with artsy bronze chimney stacks under two ancient oaks. A brick rancher morphed with tall ceilings and large spaces, dressed like a cottage.

Inside, walk through the neat, light filled rooms with comfortable furniture, handmade side tables of lovely wood, all color and texture designed to please. Pass the abstract paintings on the walls, shells and stones amongst art pottery and glass. Go to my office where the art turns personal and symbolic. Where photos of me in Hawaii and Santa Fe, my spirit-homes, are pasted on walls without fanfare. To where my everyday life’s divided into stacks. Spiral notebooks with sturdy cardboard backs, colored flags at the edges, their pages filled with scrawl in blue ink. Pictures, papers and periodicals for research and reference. Notes and books on the business of book marketing. Folders for my daily current events. My lives most recently passed, such as producer of The Honeybee Project, tucked away in file drawers. The files and artifacts of my previous lives – business woman, artist, project manager – all moved to the basement.

At night I turn my computer off because its moonglow shines into the hall outside our bedroom. My husband doesn’t mind, but it teases me. Perhaps I’m missing an email. Perhaps this thing stomping my brain can’t wait. Perhaps if I just got up I wouldn’t feel as tired as I feel in that moment.

Often the book’s characters talk to me at night. Whisper I’m doing okay telling their stories. I know come morning they’ll hover at my ear, or catch me in the shower. That they’ll forgive me, wait, when I neglect them for long stretches. I never tell them they aren’t my bliss because that’d be a lie. I look forward to the discoveries in knowing them, in their stories. I could never tell it as good as they do.

And seems I’ve done a circle, because that last paragraph is where I catch up to the here and now. Big or small, things that give meaning, offer more to the world than the sum of me alone create solid ground beneath my feet. It’s when I catch up with my heart. We know how that happens, don’t we?

Another small journey to mindfulness. Getting to Wise.
A Writer’s Life.

*

A secret:  Surprise insight this very moment (gasp) I really want to do this hard stuff in front of me that I thought I was doing because I had to.
A favorite:  Hearts, Stars, and Spirals, all kinds

 

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The Oyster’s Beautiful View

Posted on June 23, 2015 by Heloise Jones
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I want to tell you about a cloud and the day the sky became the inside of an oyster shell. How the sun rose all the way to that high place it’s officially day, not as a firey ball, but as a shimmering while pearl. The whole time the air soft, the entire dome of the sky subtle washes of color and pristine mother-of-pearl. The awe in this everyday eye-view of an oyster’s, how beautiful it is.

Open oyster with pearl isolated on white

I’d spent a week focused on clouds. My head rocked back as I circled in place whenever outdoors. Billowy clouds. Clouds changing color thru pinks, orange-golds, brilliant whites. Clouds that flickered with lightning. Clouds layered like torn gauzes and silks. Small dark ships of clouds, flotillas sailing swiftly over the bay.  On an everyday sort of morning, I looked up to pink tubular trails traced toward the water. Fat trails, uniform, round. As I approached the bayshore park lawn, color blazed through the trees. I didn’t see it was no ordinary dawn until I stood at water’s edge, saw the side-to-side wavy form of a funnel rise from a singular point on the far flat horizon. Spread into a broad orange and gold fan of swirls, folds, and lights filling half the sky. At the top long fingers stretched as feathers that wisped and dissolved to gather again as the trails I followed down. The cloud shifted and changed, darkened and lightened, fascinated for nearly an hour. The point of it’s origin and the stem it grew from intact. Once evenly spaced parallel lines like shark’s gills grew across one side. Another time it turned into an invisible dancer’s skirt. And as daylight approached, it melted, puddled, stretched into a plane of peachy pinks and pearlescence. Like a conch shell, we said. And as the shimmering white pearl of the sun crested and rose, the colors and sky softened, lightened, changed to the inside of an oyster shell. We were inside the shell of the sky’s dome, like oysters, seeing what oysters see every day. It was so beautiful we were speechless. None of us had cameras. Words are so inadequate.

Since then I’ve had two dreams where I sit at a table with fresh, perfect, white vegetables. Last night white Japanese eggplant. Days ago bowls and piles of different varieties. All white. For years I’ve said I don’t want a milktoast life. But this is about so much more.

Transcendence comes through Connection. Can be hard and beautiful, both. Another’s story, another’s view, you sometimes don’t know ’til you’re in it. How many times have you been there?

Little girl, be careful what you say
when you make talk with words, words—
for words are made of syllables
and syllables, child, are made of air—
and air is so thin—air is the breath of God—
air is finer than fire or mist,
finer than water or moonlight,
finer than spider-webs in the moon,
finer than water-flowers in the morning:
and words are strong, too,
stronger than rocks or steel
stronger than potatoes, corn, fish, cattle,
and soft, too, soft as little pigeon eggs,
soft as the music of hummingbird wings.
So, little girl, when you speak greetings,
when you tell jokes, make wishes or prayers,
be careful, be careless, be careful,
be what you wish to be.
~ Carl Sandburg, Wind Song

*
Another small journey. Getting to Wise.
A writer’s life.
*

In Memoriam: 6-17-2015
Rev. Clementa Pinckney
Tywanza Sanders
Cynthia Hurd
Rev. Sharonda Coleman-Singleton
Myra Thompson
Ethel Lance
Rev. Daniel Simmons
Rev. DePayne Middleton-Doctor
Susie Jackson

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No Small Happy Life

Posted on June 9, 2015 by Heloise Jones
7

“It’s not calculated at all. It never has been. One of the things I had to learn as a writer
was to trust the act of writing.”
~ E. L. Doctorow

Movies_Life_of_Pi_Boat_Clouds_Reflection_67582_detail_thumb

*

I’m grappling with the shape of my life. It’s no ordinary discontent. No gasp of desperation. I live a life enriched by friendships, continual learning and wonder and mystery. I’m fortunate. Grateful for each day, even when it stinks. Even when things get scary uncomfortable. I appreciate the value and satisfaction in an ordinary life as highlighted in the NYTimes The Small, Happy Life. I read about the obituary of a woman who’ll be ‘known and remembered for her pound cakes and peanut butter fudge,’ thought it a mighty fine legacy to be remembered for something you created that gave others pleasure. And yet, I hold something hot in my hands I must give away to a large, very large, circle. Something more than settling into the novelist I am. Something big.

I’ve been here before. As a 39 year-old student at a large respected university with a mere twenty-year history of women students, I learned the word patriarchy, had my eyes opened to the million ways it plays in the world. With a long ago history of abuse by a significant other, I recognized myself in the milieu. I became an activist for women’s issues. Set my sights, forged ahead with steady intent to secure a Women’s Center on campus by the time I graduated two years later. I ignored every warning it was an impossible dream. Believed every minute I would succeed. On the eve of my graduation, the Provost told me the prime space he allocated for the Center was a result of his meeting with me. Oh, it was all of us, I told him. I wouldn’t own even the acknowledgement of my part in the creation of my vision. I stepped back into the shadows. But here I am, again with no calm space inside me. Me and my toolbox crossing a crazy wide ocean of intention, far from discernible solid ground. Each day seeming to progress how E.L. Doctorow and I write novels, “…like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.”

Two weeks ago I got sick. Bumped from the dogged plan I wasn’t happy in, decided to regroup. Listening to webcasts of accomplished lives by business coaches this past week I’ve felt my stuckness shake loose bit by bit. Then a friend in New Zealand gave a shout-out. You need help, he said. We spent three hours on Skype. Oh gosh, yes, some of it personal. Relationships are that way. The upshot is for the first time since my decision to step out, I feel jazzed, in motion. Feel I’m not alone. I sense a confluence of letting go yeah-but stories and the implicit messages from those living and dead that I’m too much, too loud, too weird. The Women’s Center they said was impossible was a thousand steps, unknown territory, a learning curve. It was focus and persistence and knowing it wasn’t about me. It was One Big Vision. Like now. I can trust the act of doing like I trust the act of writing. Isn’t that how anything’s done?

”In my dream, the angel shrugged & said, if we fail this time, it will be a failure of imagination & then she placed the world gently in the palm of my hand.”
~ Brian Andreas

Another zen journey to mindfulness. Getting to Wise.
A Writer’s Life.

*

A secret:  I still get those ‘too much’ messages on occasion, and I don’t care.
A favorite:  My mother-in-law’s pound cake.

Photo from the film Life of Pi

 

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Stepping Into Wonderland

Posted on May 25, 2015 by Heloise Jones
4

There is a crack in everything. That’s how the light gets in.
~ Leonard Cohen

Big Sun - Version 2

*

A year ago I discovered half-closed blossoms bigger than my hand covering a small tree, stunning flowers on plain, prehistoric looking cactus tendrils entwined through the branches. ‘Oh, the night blooming cereus opened last night,’ a woman behind me said. She took me to a large oak engulfed with similar vines, small nubs furred with what looked like coarse gray dog hair pocked along their length. I learned the nubs would stretch into thick reddish stems, push a large teardrop bud out at the ends. That I had to go to the tree the very night the buds plumped. Nothing prepared me for the miraculously beautiful sight of an entire tree draped, roots to the ends of its furthest limbs, in an abundance of 8” blooms. The white petals felt like feathers, the abundant yellow stamens baby-soft. I took pictures, vowed to remember, because the whole show played just once a year, at dark night. By 8am the blooms would close, drop their heads.

But I missed the night display this past week. Not because they came early, which they did, but because I forgot to feel the excitement of anticipation, head out in the late late night. I stood before the fading display the morning after, wondered at myself for finding the splendor in the waning blossoms less than when I first found them a year before. Wondered at thinking them not quite as fine as when they glowed wide-bright in the night. I even noted there weren’t as many on the tree this year, as if that lessened their magic. I’ve experienced peak perfection, I thought. And immediately saw what I was doing. I was dismissing this year’s grandeur with comparison, not appreciating the divine before me. These, no different in their life progression than the gorgeous sculptures of disintegrating tulips and insides of broken conchs, the rugged ocean battered beauty of aged shells that I love.

It wasn’t because I couldn’t possess their impermanence, either. For they’re no different than other beauty I can’t hold – changing light across the bay, the turning of trees through seasons, the birds and clouds. I realized I’d somehow projected my perfectionism for myself, my current angst of not in right time, not the right output, not good enough onto the stunning flowers that help us see their prehistoric looking host differently 364 days a year.

Three days later, the sun barely up, the sky spread flat, uninspiring, I left the bay earlier than usual to walk home. Halfway up the walk I turned, saw pink, pale yellow, the biggest.sun.ever over the water. And something otherworldly happened. I was transported to Wonderland.

Light shown with a difference reminiscent of New Mexico, what I imagine in Provence. Every street I looked down was a tunnel to somewhere shining at the end. Wherever I looked, color popped, was intensely 3-D against the hundred shades of green and brown around it. Lit lamps floated before buildings. Small white flowers hovered mid-air, glowing. Purple cloth, a pale lemon umbrella, hot pink chair danced in front of dirty white stucco. Daisies on thread stalks, brilliant yellow splats on a red-dirt colored wall. Subtleties were painterly, the brush strokes luscious. And sunlight cut through like timed spotlights, illuminated a patch of peach wall in the shadows, hot orange-red palm tassels overhead, and ahead, lit bright, the entire tall trunk of a tree covered with the limp drooping heads of night blooming cereus.

Rumi says the wound is the place where the Light enters you. I say sometimes it takes a gift like a trip thru Wonderland to open your eyes. Perfection’s everywhere, every moment. The big secret. . .we define it.

Tell me. . .you see that, too, don’t you?

*
Cereus_4959
The morning after
*

Another journey. Getting to Wise.
A Writers Life.

A secret:  I really was in Wonderland.
A favorite:  Wonderland

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What’s Zen Got to Do With It

Posted on April 30, 2015 by Heloise Jones
4

In the fall when the leaves turn that shade of red and gold that shakes your breath
loose, so unnatural the natural, when the edge of crisp touches the air and the sky
turns blue again because it can’t help itself. In that time, the young girl thought
she was a horse on a hill. Her face to the wind, there’s always a wind, well,
more like a breeze, in that time on the hill not beneath her feet
but in her mind she decided she was a princess. It wasn’t enough
so she decided she was an artist. It wasn’t enough
so she decided she was a lawyer. That didn’t feel real.
She went back to only second not enough, an artist,
felt most real of all. . .
~ from the poem, Whitney Houston Sings

 

Grace-Fairytales.1

Grace and Me with Patti Digh’s book, “What I Wish for You”
Fairytales shop. New Zealand, 2011

Grace is the most unself-conscious, authentically enthusiastic about Life person I know. A complete stranger, she messaged me on facebook my last day in New Zealand. I hesitated, then accepted her offers of a bed and short tour of Auckland before I flew out. We drove about the city in her large, older-model car, joined others atop Mount Eden for 360 views, ate fish and chips out of newspaper rolls at the waterfront. The fairytales shop was not a place I would’ve stopped. But she said “you have to see this” as she whizzed past, turned around to pull in front of the only lit windows on a short row of dark shops. Inside it sparkled all pinks and pastels, flowers and glitter. We donned tierras. Grace shared our meeting with the shopkeeper, showed her artwork on pg. 109, my essay on 110 of Patti’s book. Then she read my words aloud with the joy of offering something grand. Hearing those newly published words spoken by another for the first time, seeing the woman’s face as she listened, was indeed a grand gift. I didn’t realize until now what it is about Grace that’s so enchanting. What she models so freely.

Here’s the thing. An article titled 20 Things Only Highly Creative People Would Understand tripped me up last week. I ticked down the list, ignored the exception (#16), noted how those (#4, #13, #18) tempered by years of self-helps, jobs, and heavily weighed Virgo in my chart made sense. I felt exonerated for my weirdness, wanted to share with my husband, say “see, see, I’m not the only one.” Until #20, They will never grow up.  I didn’t bother reading the explanation. I was born grown up. Believe in grown-up, taking responsibility. I’ve had to be grown-up. Watching over my younger sister, off on my own at seventeen, no help leaving an abusive marriage, single parent for nine years, house fire, husband run down by a car the short list. I am not Peter Pan, I thought. I love a good laugh, have a sense of humor others appreciate, am very enthusiastic, but I do not ‘play.’ I wasn’t the mom on the floor for hours with her kid. That #20 niggled me, though. I let it perk.

Three days later, I woke compelled to go to the tea shop as early as possible (#15). There I met a neighbor for the first time. A writer others said I’d like to know. I also knew her by her Little Free Libraries, her magical fairy-like Christmas lights I loved. She mentioned one of her projects, a year’s experiment seeing through childlike eyes, sparked by her daughter’s belief “This is It! Every day the best.day.ever!”

Reading her online, I realized the Kidness I thought I had, then thought I didn’t have, is indeed inside me. It lives beside this grown-up who likes being grown-up. Actually holds my guiding principles and intents for life – curiosity, wonder, awareness, openness, trust, faith, enthusiasm, optimism, timelessness, giving, authenticity, love, kindness, presence. I write about them here on my blog.

Shortly after, sitting on my porch on a gorgeous day, knowing I hadn’t been particularly productive based on my current goals and tangible intents, I felt an overwhelming happiness swell inside me. I knew it by my heart, how expansive it felt. By the sense I’m on the edge of something big and good. By it’s companion, Fear. And I thought, this here, this is my child-self.

I went back, read the description for #20: Creatives…never lose a sense of wonder. For them, life is about mystery, adventure, and growing young. Yes. Exactly.
You, too?

*
Another small journey. Getting to Wise.
A Writers Life.

A secret:  I love Mickey Mouse
A favorite:  Wildflowers in mountain meadows

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